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The film chronicles the life of Captain Smek (Steve Martin) and the alien race he leads called the Boov.This page is based on a Wikipedia article written by contributors (read/edit).Ces deux jeunes ont monté ensemble une troupe alternative, "The Mob", à l’avant-garde de la danse de rue et cœur du mouvement protestataire urbain.Le brio, l’audace et l’imagination de la troupe attirent l’attention de la fille d’Anderson, Emily, danseuse classique douée que son père pousse à exercer un "vrai métier" au mépris de sa passion.Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Contrairement aux films précédents de la série, Sexy Dance 4 ne se contente pas d'opposer deux équipes de danseurs. Très populaire depuis quelques années, le "flash mob" est un rassemblement de personnes (généralement des danseurs) qui surgissent d'une foule, se donnent en spectacle et se séparent très rapidement.Ren's life changes when he moves to a small town where rock-n-roll and dancing are criminal activities. Granted watching it now is like dusting off a C-grade vinyl that barely functions, it at least had the ability to give the student body a voice and a personality as they tried to keep their freedom to play rock music (please say this out loud) alive and well.When Ren falls in love with the reverend's daughter, Ariel Moore, the music pauses and Ren needs to shape up or make dancing a legal activity once again. The new Footloose, however, is like that guy randomly wearing acid-washed jeans in public in 2013; random, out of place, and questionable beyond belief. No parent should ever have to know the horror of burying their own child. In a time where vulgar rap by artists named "Chief Keef," "Juicy J," and "Wiz Khalifa" can be found on the i Pods of teens in schools and they can get away with it, I highly doubt teens will be able to resonate with playing Kenny Loggins or Quiet Riot a bit too loud. And one day, they will no longer be in our embrace and in our care. This is a stale, unimaginably boring picture, with its first real problem being it is trying to make an immensely dated story of music and dancing banishment current and relatable to teenagers of the present.