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His latest Hollywood project is Inside Llewyn Davis, another collaboration with the Coen Brothers, who kick-started Burnett’s journey into Hollywood when they invited him to be the “musical archivist” on their 1998 cult hit The Big Lebowski, picking songs for the soundtrack.Two years later, they asked him to produce the music for their Depression-era comedy O Brother, Where Art Thou?
It's the latest of Burnett's perfectly measured, evocative movie soundtracks and, more intriguingly, the first film project on which he's been producer not just of the music but also of the actual film itself.
Kern was upset that his song won because it had been published and recorded before it was used in the film.
The song was actually written in 1940, after the Germans occupied Paris at the start of World War II. 8 on the best seller list before it was used in the film.
“It was a similar cultural moment [to] when The Beatles [emerged] after John Kennedy was killed; the country was in a state of national trauma and there was this relief, this beautiful music,” he says.
For Inside Llewyn Davis, Burnett has similarly mined sounds from the past.